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Bridal Lehenga Choli Biography

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The Bridal lehenga choli is the favourite female apparel worn during festivals, weddings or special events in India. This is due to traditions as well as of the fact that it is available in a number of fabrics with many different decorative choices. Traditionally the sari and the lehenga choli are the most popular garments for the bride in India. But it is a common bridal attire mostly in North India.It is the traditional wear of Garba ( most famous festival of Gujarat).Apart from the fabric, decorative stitching patterns also play a role. Lehengas come with a wide variety of decoration and embroidery work like Gota, Phulkari, Shisha, Chikankari, Zari, Zardozi, Nakshi, Kundan, etc.For festivals like Navratri, the ethnic Shisha embroidery is popular with a bit of patchwork. For formal wear and weddings, the embroidery is heavier in pearls, silk, sequins and zari.
Kutch embroidery is an evolving expression of the craft and textile traditions of the Rabaris, a nomadic tribe in Gujarat.Kutch work is unique in the sense that a net is woven on a cloth using thread.The net is then filled in using the same thread by intricate interlocking stitches. The patterns are usually built around geometric shapes.This embroidery follows its own traditional design logic and juxtaposition of colours and motifs.The Rohanas tribals of Kutch specialise in skirt work. The Sodhas use a geometric style for their embroidery. The Garacia Jats are experts in tiny embroidery on the yoke, which intermingles with red, orange, blue and green threads. The Dhanetah Jats love embroidering broad pear-shaped mirrors using orange, black, yellow and red in chain stitch.In South India coming of age ceremony or rites of passage (Langa Voni Telugu, Pattu Pavadai Tamil, Langa Davani Kannada. Is celebrated when a girl reaches puberty. She wears Langa Voni given by her maternal grandparents, which is worn during the first part of the ceremony and then she is given her first Sari by her paternal grandparents, which she wears during the second half of the ceremony. This marks her transition into womanhood.
Dupatta is worn in many regional styles across India. Most common style since early medieval times was to pleate the dupatta on the one end and tucking it into the front of the gagra and wrapping it across the waist and over the shoulder or head, similar to the way sari is worn. While women who worked in the farms tucked both ends of dupatta into their choli. Originally, it was worn as a symbol of modesty. While that symbolism still continues, many today wear it as just a decorative accessory. There is no single way of wearing the dupatta, and as time evolves and fashion modernizes, the style of the dupatta has also evolved.
The tradition of giving Langa Voni by maternal grandparents begins with the girl's first naming ceremony Namakaran and her first rice feeding ceremony called Annaprashana. She receives her last one at her coming of age ceremony. Langa Voni is traditional clothing for unmarried girls in South India.This was largely due to jeweled toes showed martial status of women as both married and unmarried women observed Ghoonghat. Gagras were made out of two to three layers of coarse khadi fabric which created large flared look and remained largely undecorated but were decorated with gota strips along the border on special occasions. Most commonly used dyes were Indigo, Lac and Haldi. This style can still be seen in rural areas of Haryana, Uttar Pradesh & Madhya Pradesh particularly during folk festivals.
Ancient unstitched form of gagra has survived in folk theater costumes across India, particularly in Kathakali of Kerala, where layers of pleated khadi fabric are laid over a nada and tied around the waist creating layers of flared skirt.

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